![]() If you have specific questions or would like a PDF version, feel free to contact me and I'll be happy to assist. Included are essential time-saving tips, FAQs and useful external links. The following guide is meant to help users get up and running with a basic understanding of how to best use the PC3K in musical theater. I still contract for Kurzweil R&D part time as a sound programmer and I'm also a dealer for their US sales division. Now I work on Broadway and around the world programming the PC3K on productions like Phantom, Evita, School of Rock, Mary Poppins, 42nd Street and Les Miserables. ![]() It's more stable and reliable than software and boots up much more quickly - in about 20 seconds. While I do use software instruments on my shows, the PC3K is the "brains" of the rig, handling patch changes, pedals and about 50% of the sounds. Together with Kurzweil's R&D team we came up with the PC3K8, an 88-note workstation with the sounds, programmability and flexible MIDI control required by major MT productions. They were asking for a new keyboard based on the PC3, specifically geared toward musical theater work. ![]() ![]() Back in 2010 when I worked for Kurzweil R&D full time I was contacted by Andrew Lloyd Webber's team.
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